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Why Red Tails is NOT a Black Movie

Posted on 21 January 2012 by TRLocke

George Lucas's Red Tails

There’s been a lot of reporting lately about the importance of George Lucas’s new movie Red Tails for the Black community. The argument goes like this: If people don’t go see Red Tails, Hollywood will never fund higher budget black movies again.  Although the basic altruism of White people might be moved by this argument, it is primarily an argument to the Black community to get behind this movie. But it is the wrong argument and not the thing Hollywood is looking for. For a movie of this budget to succeed, this movie must draw Blacks AND Whites… Latinos, Asians and every other race, too. So how does this argument work for them? It doesn’t. All people care about is whether a movie is good—does it move us, does it entertain…is it worth the price of admission? The right argument for why people should see Red Tails is because it’s a great movie that talks about an important part of American History that has been hidden from them for some reason. Why did they hide this? What happened?

Think about it this way: People went to see National Treasure and DaVinci Code because they were stories that argued that there COULD be some hidden history that was kept hidden by a secret cabal. Here is a film about something that actually IS hidden history—that actually has been KEPT HIDDEN from American citizens for some reason. The things that happened in this film are real–the real story of  real people. This isn’t some novelist’s speculating. It is reality.

Seeing as I’ve just returned from viewing the movie last night, I want to make a second argument that I think works for everyone. Red Tails is not a black movie. Red Tails is an action film by George Lucas—the best and most successful action movie producer in the history of the planet earth according to Star Wars and Indiana Jones.

And here’s a third great reason that was suggested to me by my daughter: This movie is about real heroes. It doesn’t glamorize or sugarcoat war and it doesn’t show superhumans fighting alien machines. It is real people fighting a real war—real human heroes fighting against very strong odds, with consequences dire for our real world.

Think about this: Every movie hitting the theaters today seems to paint heroes as supernaturally gifted—from vampires, wizards, witches, warlocks and werewolves worshipped by our kids to mutants and dozens of other miraculous flying, radiating, flaming, costumed millionaires. There aren’t very many films showing real young men struggling to be courageous. There aren’t many films that tell your child—be he or she black, white, yellow or brown that heroism is within them.  There are a lot of fantasy films that tell your child that there are magical people in the world who can solve all the world’s problems. But there aren’t many that tell them they have all they need inside of themselves and that courage, loyalty, tenacity, and faith are qualities God instilled in all men.  Red Tails does this.  Do you want your child believing they have to be magically bitten by radioactive bugs, exposed to chemicals, born the magical wizard, or strangely mutated to be heroic—to be the hero in their own lives or in the world?

Red Tails is a film about everyday underdogs overcoming internal, external and societal obstacles to become heroes. And that’s why everyone should see this film.

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James Franco’s Back-Up Plan

Posted on 18 October 2011 by TRLocke

One might think that an actor who’s achieved the success that James Franco has would just content himself with being a young movie star. Usually the million-dollar paychecks and lush lifestyle of one of Hollywood’s elite is enough to satiate even the strongest appetite for success.  That’s why it stood out to me to learn that James Franco was also pursuing an advanced degree in English. By advance degree, I mean PhD.

According to Wikipedia, in addition to graduating from UCLA, Franco:

…moved to New York to simultaneously attend graduate school at Columbia University’s MFA writing program, New York University’s Tisch School of the Arts for filmmaking (NYU), and Brooklyn College for fiction writing,while occasionally commuting to North Carolina’s Warren Wilson College for poetry. He received his MFA from Columbia in 2010. Franco is a Ph.D. student in English at Yale University and will also attend the Rhode Island School of Design.

What a busy guy.  But why? Well, also according to Wikipedia, Franco enrolled in UCLA after being “dissatisfied with his movie career.” Although I’ve been saying for years that Hollywood isn’t all it appears, I wasn’t thinking that applied to people who achieved stardom on the level of James Franco.  Currently, he also teaches a class at NYU on turning poetry into film.

What does all of this tell us about Hollywood? It tells us a little about the quality of effort and focus often possessed by those who succeed here. People think of Hollywood as a place where people live the easy life. For most, Hollywood is anything but easy. Before you make it you struggle to get known, build relationships and do your craft. After you make it, you may struggle with keeping your integrity, staying on top, landing the right roles and not alienating your audience.

In one of the first interviews I did after my book came out, I appeared with a director who almost hired Franco for his first major lead. The director went with another actor instead. During the interview he lamented that, had he hired Franco, he’d be driving a much nicer car now.  (You can see the interview HERE: Part 1, Part 2, Part 3).  Franco noted in interviews that one of the things that initially hindered him in pursuing an acting career was his fear of such rejection. Perhaps that’s another reason he decided to make a backup plan?

My personal opinion is that he was tired of playing certain types of roles and wanted to play someone more intelligent but couldn’t get cast–thus all the press about going back to college.  Is a coincidence his latest role was playing a scientist in Rise of the Planet of the Apes instead of a pot dealer in Pineapple Express 2? By doing something intellectual in his own life, he changed the way casting directors and audiences saw him.

Still, whether you’re the type of person who needs to burn bridges to keep you from turning back, or the type of person who thinks though all the angles, it’s interesting to note that even someone who succeeded in Hollywood at the highest levels still keeps his options open… just in case.

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